“Scarecrow” is an exploration of industrial excess and anti-commodification. It dissects mass-produced goods, deconstructing and reassembling them into new symbolic structures. Operating within a framework of symbiosis, the installation reflects the tension between uniformity and individuality, order and decay. Drawing from synthetic totems, it critiques the overproduction of commodities while questioning their cultural and spiritual significance in a hyper-industrialized world.
380(L)x200(W)x60(D)cm
CarharttWIP Products & Mixed Medias
2024
Sun Palace, Beijing, China
Collaboration Project With @CarharttWIP
This installation constructs a ritual arena where industrial debris and poacher-reclaimed animal hides collide. Skateboard trucks form a spinal column anchoring wolf and sheep pelts—trophies of ecological rupture — while braided copper wires and human hair cascade to the ground, physically binding viewers to the work's circuitry. Synthetic graphics etched onto hides recontextualize nomadic cosmologies within industrial semiotics. Material tensions — industrial steel versus nomadic hairwork, sacred animal pelts versus consumer waste—mirror our unresolved duality as both architects and victims of the Anthropocene.
280(L)x250(W)x80(D)cm
Recycled Animal Materials & Mixed Media
2024
Parkview Green Art Center, Beijing, China
“髡锁 Quene Locks" is hand-made from materials such as animal skin/hair and steel pipes. Animal skin is the container of body and soul, and hair is memory and the carrier of soul. Faced with the incomplete container itself, Dongbay locked the barbarians Quene culture inside it, completing a new reincarnation. The skeleton of the new body is made of industrial materials such as steel pipes, forming a synthetic body in the post-industrial era. The work sways with the flow of air, and at the same time emits crisp wind chimes, juxtaposing it with the sounds of the environment in the current moment.
250(L)x200(W)x100(D)cm
Recycled Animal Material & Mixed Media
2023
1215 Gallery, Montreal, Canada
K66 Art Space, Shanghai, China
Pier Art Center, Guangzhou, China
"Synth Totem" guides its audience to reexamine the capture of reality and light through a synthesis of elements. Serving as the core connector, the skateboard bridge forms the backbone within the installation's body. Cables convey fluid yet implicit signals, while light, as an overt signal, remains concealed behind the artwork. The matrix formed by acrylic panels constitutes the physicality, revealing a reality enveloped in a halo of light through its semi-transparent medium. The dark veins on the acrylic panels symbolize the visual emblem of the "Synth Totem," forming a logic behind the matrix, contributing to the industrial ritual within this soaring synthesis emblematic of our time.
280(L)x120(W)x6(D)cm
Mixed Media
2024
NIKE Jaya Center, Shanghai, China
ALL Space, Shanghai, China
The body today is both ritual vessel and technological construct. “Hybrid Cluster” probes identity’s fluidity and space’s redefinition, questioning selfhood at the organic-artificial nexus. In a control-driven society, is the human spirit constrained? Does spontaneity endure? This tension reflects modern anxiety: yearning for nature and stability against inevitable flux and civilized dependence. The work examines the body’s place in its environment, inviting reflection on power, agency, and the flow defining existence.
300(L)x150(W)x30(D)cm
Recycled Animal Material & Mixed Media
2025
OneArt Gallery, Beijing, China
“髡锁 Quene Locks" is hand-made from materials such as animal skin/hair and steel pipes. Animal skin is the container of body and soul, and hair is memory and the carrier of soul. Faced with the incomplete container itself, Dongbay locked the barbarians Quene culture inside it, completing a new reincarnation. The skeleton of the new body is made of industrial materials such as steel pipes, forming a synthetic body in the post-industrial era. The work sways with the flow of air, and at the same time emits crisp wind chimes, juxtaposing it with the sounds of the environment in the current moment.
260(L)x150(W)x100(D)cm
Recycled Animal Material & Mixed Media
2023
798 CUBE, Beijing, China
Baimiao Center, Beijing, China
“地怨虞 Earth Grudge Awe” is an installation exploring the cycle of ego, mortality, and transcendence. Drawing from Tibetan symbolism, alchemical motifs, and the Six Paths, it deconstructs the material and spiritual realms. Using elements like goat skin, bird skulls, and ritualistic forms, the piece reflects on humanity’s struggle between destruction and renewal. It invites viewers into a space where the physical and metaphysical intertwine, questioning the essence of existence.
170(L)x170(W)x6(D)cm
Recycled Animal Materials & Mixed Media
2024
Supported By @AllDayTibet